We and our partners use technologies, such as cookies, to recognize you and show you more of what you like. Please read our Privacy Policy to learn more. By using this website you agree to the use of those technologies.
I agree.
As for now, I claim the end of my search for new cameras. Now I have an unexpectedly good plastic half-frame Kodak Ektar H35, Yashica Electro 35 GX, which I hope to repair one day, a perfectly working Porst CM Auto 135 (perfect for black&white, but still hesitate about color), and finally, this little gem Agfa Optima 1035 Sensor. Everything about it feels just right to me.
As for now, I claim the end of my search for new cameras. Now I have an unexpectedly good plastic half-frame Kodak Ektar H35, Yashica Electro 35 GX, which I hope to repair one day, a perfectly working Porst CM Auto 135 (perfect for black&white, but still hesitate about color), and finally, this little gem Agfa Optima 1035 Sensor. Everything about it feels just right to me.
As for now, I claim the end of my search for new cameras. Now I have an unexpectedly good plastic half-frame Kodak Ektar H35, Yashica Electro 35 GX, which I hope to repair one day, a perfectly working Porst CM Auto 135 (perfect for black&white, but still hesitate about color), and finally, this little gem Agfa Optima 1035 Sensor. Everything about it feels just right to me.
As for now, I claim the end of my search for new cameras. Now I have an unexpectedly good plastic half-frame Kodak Ektar H35, Yashica Electro 35 GX, which I hope to repair one day, a perfectly working Porst CM Auto 135 (perfect for black&white, but still hesitate about color), and finally, this little gem Agfa Optima 1035 Sensor. Everything about it feels just right to me.
As for now, I claim the end of my search for new cameras. Now I have an unexpectedly good plastic half-frame Kodak Ektar H35, Yashica Electro 35 GX, which I hope to repair one day, a perfectly working Porst CM Auto 135 (perfect for black&white, but still hesitate about color), and finally, this little gem Agfa Optima 1035 Sensor. Everything about it feels just right to me.
As for now, I claim the end of my search for new cameras. Now I have an unexpectedly good plastic half-frame Kodak Ektar H35, Yashica Electro 35 GX, which I hope to repair one day, a perfectly working Porst CM Auto 135 (perfect for black&white, but still hesitate about color), and finally, this little gem Agfa Optima 1035 Sensor. Everything about it feels just right to me.
As for now, I claim the end of my search for new cameras. Now I have an unexpectedly good plastic half-frame Kodak Ektar H35, Yashica Electro 35 GX, which I hope to repair one day, a perfectly working Porst CM Auto 135 (perfect for black&white, but still hesitate about color), and finally, this little gem Agfa Optima 1035 Sensor. Everything about it feels just right to me.
To be honest, I'm pretty thrilled with the images. However, this is less due to my talent than to the performance of the Rollei Retro 80S (developed in 1:50 Rodinal, 14 minutes), whose look really enchants me. I had considered adjusting the contrast a bit when scanning the negatives, so that the images look less "bright", but because the shadows are already dark, but still quite detailed, I only cropped the photos, otherwise not further processed.
To be honest, I'm pretty thrilled with the images. However, this is less due to my talent than to the performance of the Rollei Retro 80S (developed in 1:50 Rodinal, 14 minutes), whose look really enchants me. I had considered adjusting the contrast a bit when scanning the negatives, so that the images look less "bright", but because the shadows are already dark, but still quite detailed, I only cropped the photos, otherwise not further processed.
To be honest, I'm pretty thrilled with the images. However, this is less due to my talent than to the performance of the Rollei Retro 80S (developed in 1:50 Rodinal, 14 minutes), whose look really enchants me. I had considered adjusting the contrast a bit when scanning the negatives, so that the images look less "bright", but because the shadows are already dark, but still quite detailed, I only cropped the photos, otherwise not further processed.
To be honest, I'm pretty thrilled with the images. However, this is less due to my talent than to the performance of the Rollei Retro 80S (developed in 1:50 Rodinal, 14 minutes), whose look really enchants me. I had considered adjusting the contrast a bit when scanning the negatives, so that the images look less "bright", but because the shadows are already dark, but still quite detailed, I only cropped the photos, otherwise not further processed.
To be honest, I'm pretty thrilled with the images. However, this is less due to my talent than to the performance of the Rollei Retro 80S (developed in 1:50 Rodinal, 14 minutes), whose look really enchants me. I had considered adjusting the contrast a bit when scanning the negatives, so that the images look less "bright", but because the shadows are already dark, but still quite detailed, I only cropped the photos, otherwise not further processed.
To be honest, I'm pretty thrilled with the images. However, this is less due to my talent than to the performance of the Rollei Retro 80S (developed in 1:50 Rodinal, 14 minutes), whose look really enchants me. I had considered adjusting the contrast a bit when scanning the negatives, so that the images look less "bright", but because the shadows are already dark, but still quite detailed, I only cropped the photos, otherwise not further processed.
